Irene Torres & The SugarDevils came onto the Toronto music scene in 2011 and made a name for themselves interpreting the music of New Orleans. They wowed audiences with their versatility in playing blues, funk, r&b, jazz, latin & soul to name a few.
In 2012 they recorded their first self-titled CD in the cities of Toronto and New Orleans and received rave reviews.
A Canadian band with a foot in both the vintage and the modern making for a foundation that is fresh and unique. Their love of r&b, soul, funk, blues, motown, and reggae shine through in their original music with high energy and passion. Vivid drums, funky bass, wailing guitar, inspired sax, ethereal organ, catchy hooks, and soaring vocals make this band a must listen for music lovers!
I met Drew Austin from Irene Torres and The Sugar Devils when he came to into Far Out Flicks to put up a poster! And one thing to led to another … what a band this is! – Coral FM.
This episode is the one year, anniversary show. Mark Ruesser who was a guest on the first show, looks at the issues last year and issues for 2013. Barclay Nap is also out guest, bringing issues for 2013.
Here is my sonic salute to New York through the music and the artists that define it from coolomundo jazz and folk legends to its and rock and punk heroes.
My fave artists from New York include actor / lead singer David Johansen of The New York Dolls who I chatted with a few years back by phone, and Lauri Anderson who I had the pleasure of meeting when she played The Perimeter Institute! Plus I play Maggie Estep, The Ramones, The Cramps, Iggy Pop, Regina Spektor. Tom Waits and Lou Reed – All from NYC! – Coral FM
A very special thanks to my friends Lorca Peress, Steve McGraw, and John Tank for showing me the many sides of the City That Never Sleeps. – Coral FM
LORCA PERESS (President) is the Founder and Artistic Director of MultiStages, and an across-the-boards theatre artist specializing in new works. Ms. Peress’ diverse artistic background (primarily theatre, visual arts, dance, music and writing) led her to create MultiStages, a theatre company where artists from different disciplines would work together to produce extraordinary theatre. In her role as MultiStages Artistic Director, she has developed and produced all productions, readings and festivals, and supervised four New Works Contests. Ms. Peress has also conceived and directed the majority of MultiStages’ productions, and has acted in and designed puppets and masks for several. She is a native New Yorker, a Bennington College graduate, and did her professional study at the Lee Strasberg and Eugene O’Neill National Theatre Institutes (NTI). Her formative training was through several internships with Missouri Repertory and Stage West in Massachusetts, where she assisted directors Rae Allen (former Artistic Director of Stage West), Vincent Dowling (former Artistic Director of Alley Theatre, Dublin), and Harold Scott (Broadway and Regional director). At NTI, she also assisted writer Dale Wasserman in the O’Neill Playwriting Conference and worked with Theatre for the Deaf. In addition to her work with MultiStages, Ms. Peress has appeared or directed at Missouri Repertory, Stage West, The Walnut Street Theatre, Orlando Opera Co., The Century Theatre, Puerto Rican Traveling Theatre, Repertorio Español, Lambs Theatre, Dixon Place, Theatre for the New City, HERE, The Colleagues Theatre, La MaMa E.T.C., The Sackett Group’s Women’s Work Festivals, NYU Tisch, Teatro La Tea, Lee Strasberg Theatre & Film Institute, Hudson Guild Theatre, Access Theatre, the Players Club, and Latino Playwrights (Raul Julia founder). Ms. Peress has been a playwriting contest judge for Repertorio Español’s Nueces Voces I and II, the Ohio State Council on the Arts, La Mia Ink, Lee Strasberg One Act Contests, and the MultiStages New Works Contests. Ms. Peress has received an Inky Award from La MaMa Experimental Theatre Co. through the Harold and Mimi Steinberg Charitable Trust, numerous MultiStages producing grants, and several La Mia Ink! playwriting awards. She has served on the NYU Tisch School of the Arts Production Committee, Curator for NYU hotINK Festivals for Strasberg (2002–2010). She teaches in the NYU Strasberg Studio and at the Lee Strasberg Institute, and is a member of numerous theatrical Unions, and is the Co-President of the League of Professional Theatre Women.
Dan Geddes is a force, plain and simple. And despite the heaps of hella-high-praise references Peace receives — to Neu!, or Orange Juice, or Edwyn Collins, or whatever — there’s no substitute for experiencing their work via headphones. Peace shines not in virtuosity or violence (despite their ties to Vancouver’s explosive Emergency Room scene), but in their command of tone: The World Is Too Much With Us swaps the verbosity of Peace’s earlier work in favour of emotional dexterity, ranging from bombastic romancers (“Your Hand in Mine”), to menacing creepers (“Free Time”), to gleefully detached absurdist romps (“Kissed Dust”). It’s subtle, eloquent and direct — all of which is why I’m so obsessed. – Mark Teo.
Dan has recently opened his own record store called Horse Records in Vancouver. And Dan’s dad CBC Producer Ash Geddes is a good pal of mine and I saw Peace when they played in TO at The Magpie a couple of years back. That was fun!
It’s the music and promo ID’s from this years Agriculture Show. The guests for the show are asked to bring along 3-4 of their favourite tunes. The guests are also asked to voice a station promo. It’s all music for this the 30th episode.